It just wasnât a funny movie despite it having SNL people in it. Which in itself is no sure fire way to make it a smash hit as SNL stopped being a significant comedy source a few years ago now.
I mean look at some of the main running themes in it.
âThe Won Tonâ joke.
It was the updated version of the âTwinkieâ joke from the original. The Twinkie segment was done in 10 seconds.
The âWon Tonâ lasted the entire movie.
"The âreverse sexismâ theme.
The receptionist played by Chris Hemsworth being portrayed as an absolute imbecile. His main joke was having a dog he called âMycatâ.
Yes you read that right. A dog called âMycatâ.
Itâs really a travesty how the scriptwriter lost out on an Oscar.
Janine in the original was in no way whatsoever portrayed as a stereotypical dizzy blonde recpetionist.
She was a perpetually bored cynic only there for the pay check and had a passing romantic interest in Egon Spengler who was absolutely apathetic to her affections.
Sigourney Weaver as Dana, (oh do remind me how little impact she had on the movie) absolutely beating every scene she was in as she is wont to do.
But the greatest irony is.
All the claims about sexism, misogny, all the hoohah was all carefully calculated by SONY Pictures and by the director who knew that their movie was going to bomb badly, so rather than hold up their hands and say âYeah, sorry, we made a bad movie. But we learned from our mistakes and weâll do better next timeâ, no. Much easier and better publicity to simply scream âSEXISTS RUINED OUR MOVIEâ All the reviews then all focused on this idea, that the reason the movie failed wasnât because it was simply a terribly written and acted movie, it was my fault for being a sexist.
How very sexist to make such a sweeping generalisation of your potential viewers based on their gender.